→ We'll send you the PDF and MIDI file! Webasto timer 1530 user manual instructions. Check our sheet music transcription service. My Favorite Things - Jazz piano solo tutorial YouTube. John Coltrane: My Favourite Things - East. Songbooks, Notebooks, Music Theory, Sheet Music and more - at jazzinotes. Coltrane, John: My Favorite Things - Sheet Music Download. You'll receive the transposition within a couple of days as a pdf-file you can open using your.

I got really fed up with the Real Book version, so I tried to do a lead sheet that would get the Coltrane version. I used what I think was the original 'hit' recording. Kind of hard to boil this one down to a useable leadsheet -- I wanted to come up with something fairly similar to what I thought the group (Trane, Tyner, Garrison, Jones) might have in their mind at the time when they recorded it. Goal wasn't a 'transcription,' but, rather just a useable leadsheet that got the essence of the thing -- Though I still probably weaseled a bit on the melody and just transcribed it rather than trying to strip it of unessentials. I was hoping to come up with something that would actually be useable and put an end to the wretched reading-out-of-the-Real-Book version that ends up being played too often.

A lot of tough decisions: Like whether to include the pedal bass in the chords, what to do about the vamp lengths, how to change from section to section and still have some semblance of a form, etc., etc. ScotGormley 26/3/2010, 1:36 น. I'm still going back and forth over a few chord names, like whether the F#-7(9,11)/B in the intro should just be a Bsus13, More importantly: Whether the chord between the A-7(9)/E and B-7/E in bar 10 from the 'Top' should be D13(b9)/E or B7(b9)/E. Same thing for the last chord before the vamp out -- Whether to call it B7(b9)/E or D13(b9)/E. In both cases the structure is B F# D# C E (bass) The four-note stack above the bass is a pretty common and logical piano voicing.

Trouble is, it could go either way -- Today I'm leaning toward B7(b9)/E in bar 10 (right now it's D13(b9)/E), since I hear it more as an E minor tonality than a diminished thing. In either case, the E in the melody doesn't conflict vertically because the comping happens on the 2nd beat, after the E has moved to an F#. Today, D13(b9)/E in the bar before the Coda just because it makes more sense going to the Gmaj7. Maybe I'll change my mind again tomorrow. YMMV -- Maybe we'll eventually get a consensus on those chords. 'Des Higgins' wrote in message news:8fe7b0df-8429-44d2-94e2-ea611842f95d@g28g2000yqh.googlegroups.com.

Catha.@gmail.com 6/4/2015, 13:27 น.

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